I have loved Mr West’s music for 10 years.
From ‘College Dropout’ to today’s ‘Yeezus‘ – I own every album and mixtape he’s released. I’ve relished in his changing sound over the years and his political statements regarding race, class and wealth in America. I felt the pain of ‘808s and Heartbreak’ in it’s truest sense when he was at a low point in his life after the loss of his mother and breakdown of a relationship – I too was recovering from a painful breakup. I’ve marveled at his ability to sample some of the most iconic verses and voices in music’s history by layering them over sick, modern sounds taken from a range of musical genres.
I like Kanye‘s music because it resonates with me – whether sad, happy or humorous – as he confessed ‘every single line…was written from my gut, my soul. I was too scared to lie’
It was also extremely exciting to have been in the stadium when he made his statement about what apparently happened at the Sydney show. Which I have since played back the recording from, and can confirm he definitely did NOT tell someone in a wheelchair they had to stand up. It was simply the media being the usual negative nancies, trying to make someone into a bad person.
The stage was set up with two large LCD screens shaped in a ‘v’ where images would be mirrored across the two – set back behind a pointed runway.
Light was a huge feature in this show, there was a lot of colourful strobing predominantly red so capturing photos and film was particularly difficult – I’m sure that was strategic on Kanye’s part. There were isolated light beams coming down from the roof which pierced the mostly dark stage – Kanye used this to highlight his presence dancing around and through the light.
He worked the space very well – by moving from the end of the runway to either sides of the LCD screens often quite quickly. This was great for the fans vantage point in the audience.
I was seated off to the right hand side and I thought I had a great view – until that is I saw photos and film taken from where wife Kim Kardashian was positioned, dead down the centre where the two screens met. People on the centre floor or seated down the back front on would have really enjoyed the view of both screens together.
This wouldn’t be a truly authentic Kanye West show without featuring some avant garde fashion.
For sections of the show he wore bejeweled, full-face Martin Margiela masks. As‘Rolling Stone’ attested while on one level they suggest a supreme “look not upon the face of Yeezus, mere mortals” arrogance (which is so off the rails it’s kind of awesome), the masks also have real theatrical usefulness. Given that most of the audience is way too far away to see his face, they provide a vivid, readable visual.
came to the show highly anticipating hearing the politically layered ‘Blood On The Leaves’ performed live (if you’re not familiar with this song I recommend you check out this article ). I was not disappointed. The build up and climactic dropping of the beat laced with bass, huge horn, auto-tune and Ye’s encouragement to mosh – blew my freaking mind! The hair on my skin stood up as I could feel the bass vibrate in my bones. The audience diligently followed and leapt clean into the air in masses on each beat drop.
The crowd screamed with excitement as Kanye struck the first note on the keys to play ‘Runaway,’ he repeated it as the fans roared louder.
The transition between songs was seamless and like a true artist he vibed off the audience’s reception, knowledge of song lyrics and level of engagement. He seemed genuinely surprised at the audience’s recital of his tracks line by line – pausing frequently to hearing the crowd sing.
The set list in Brisbane was as follows and spanned just over 1.5hrs:
- ‘Black Skinhead’
- ‘I Don’t Like’
- ‘Mercy’
- ‘Cold’
- ‘Can’t Tell Me Nothing’
- ‘New Slaves’
- ‘Power’
- ‘Stronger’
- ‘Heartless’
- ‘Runaway’
- ‘Run This Town’
- ‘Clique’
- ‘Diamonds From Sierra Leone’
- ‘Jesus Walks’
- ‘All Falls Down’
- ‘Touch The Sky’
- ‘All Of The Lights’
- ‘Good Life’
- ‘Gold Digger’
- ‘Bound 2′
- ‘Blood On The Leaves’
- ‘N*gga’s In Paris’
The ‘Yeezus Tour’ was visually and audibly enthralling and very much deserved the critical acclaim it has received globally.
I’ll leave you with this thought – when Prince first rocketed to fame in the 1980’s people similarly hated his self-confidence labelling him as arrogant and unworthy – in 2014, is Prince’s musical genius and ability ever bought into question?
I have a feeling that this anti-West movement isn’t anything but history repeating itself. I consciously choose to be on the pro-West train and ‘you can’t tell me nothing.”.